Hackers are holding Disney for ransom, threatening to release a high-quality version of the "Pirates Of The Caribbean: Dead Men Tell No Tales" movie on torrents unless they're paid a huge sum of money in Bitcoin.
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A judge in Oregon has ruled that a Nevada movie company must pay over $17,000 in financial compensations to a man it wrongfully accused of copyright infringement and insisted on pursuing the case with "overaggressive litigation tactics," even after it became clear that the accused man was not responsible for the supposed crime.
On HBO Max starting tomorrow (8/13), \u201CThe Princess\u201D (*** stars out of ****) a documentary that takes a striking media-studies approach to the life of Diana, Princess of Wales. Director Ed Perkins eschews narration and talking-head interviews in favor of an artfully edited collage of archival news footage, from the first rumors of Diana\u2019s engagement to Prince Charles to the last funeral bouquet laid at the gates of Windsor Palace sixteen years later. This bricolage approach is addictively watchable \u2013 even if you don\u2019t need to hear one more thing about Diana Spencer, it\u2019s nice to have the story told in a compact hour and 48 minutes \u2013 but it also allows Perkins to build a brutal case against the press and the paparazzi and celebrity culture and the Windsors and the public using their own footage and statements. (The only editorial commentary comes in the form of a beautiful if overly teary score by Martin Phipps.) The film starts with a reporter hounding the 19-year-old Diana down the street and ends with outpourings of mass grief following her 1997 death in a car crash as she was fleeing from cameramen; in between is wave after wave of assaultive attention, and we watch almost in time lapse as the soft-focus girl of the early 80s is attenuated to a bulimic husk and then hardened, in the years following the couple\u2019s 1992 separation, into a steely figure of exhaustion and resolve. 2ff7e9595c
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